Women deconstruct consent via traditional Khmer dance

The ancient Khmer story of “Neang But Somaly Botum Vatey” was brought to life at the MC Park Community Mall on March 22, as part of the Art and Law project organised by youth-led group Sithi Knhom – My Rights.

The initiative, aimed at addressing the critical issue of consent in society, used Khmer classical dance to explore the importance of personal autonomy and gender equality.

Supported by the Italian Business Chamber in Cambodia (ItaCham), the event featured discussions on the legal and cultural aspects of consent, drawing parallels between Cambodia and Italy’s own struggles with gender-based violence laws.

Three generations of women led discussions on the topic “women cannot spin the cookstove” prejudice. Hong Raksmey

ItaCham chairman Gabriele Faja emphasised the global relevance of the issue, noting Italy’s legal history, where until 1981, rapists could avoid prosecution by marrying their victims. 

“It was only in 1996 that sexual violence was recognised as a crime against the individual rather than just a moral offense,” Faja stated. 

He also pointed out that even today, Italy lacks a clear legal definition of consent.

Faja praised Sithi Knhom – My Rights for using art as a medium for social change. 

“The Italian community in Cambodia stands behind you,” he said.

“You are not only creating art—you are creating change,” he added.

Teacher Sophiline Cheam Shapiro, was back stage, guiding her dancers. Hong Raksmey

Leng Malen, co-founder of the group, explained that this was the second Art and Law project, following its successful launch in May last year.

“For this session, we discussed the theme of consent through ancient art stories,” she said. 

The project sought to blend legal education with Khmer cultural arts while also providing artists with a deeper understanding of legal frameworks.

The performance of “Neang But Somaly Botum Vatey” served as a crucial tool in illustrating the principles of consent.

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